A Cultural Study of Akhtar Raza Saleemi’s Novel Lawakh

اختر رضا سلیمی کے ناول’’لواخ ‘‘کا تہذیبی مطالعہ

Authors

  • Iffat Parveen Research Scholar, Department of Urdu, Government College University, Faisalabad Author
  • Dr Saima Iqbal Assistant Professor, Department of Urdu, Govt. College University, Faisalabad Author
  • Syeda Dur-e-Fatima Batool MPhil Scholar, Department of Urdu, Government College University, Faisalabad Author

Keywords:

tribal hierarchy, sufism, shrine culture, local dialects, folk tales, signal fires, colonialism

Abstract

Akhtar Raza Saleemi’s novel "Lawakh" is not merely a historical narrative but a vivid cultural portrayal of the Murree, Galiyat, and Hazara mountain communities. The novel deeply embeds local language, customs, beliefs, spiritual practices, and resistance ethos in its storyline. Indigenous words, idioms, and modes of expression enrich its cultural flavor. The title "Lawakh" itself is a symbol of cultural identity. The fire signal lit atop mountain peaks, often used to indicate war, evacuation, or victory. In this novel, it serves not only as a practical tool but as a metaphor for collective consciousness and cultural alertness. The tribal structure, respect for elders, Sufi mysticism, reverence for saints, and rural systems of justice are presented with authenticity. For instance, the transformation of Sikandar’s grandfather’s shrine into a “Markaz-e-Tajalliyat” reflects the centrality of spiritual leadership in local culture. The novel also captures the sorrow of a culture disrupted by colonialism and internal betrayal. The forgotten Lawakh fire, once a communal rallying cry, becomes a symbol of a lost civilization and faded heroism. It mourns the erosion of values that once defined identity and unity. Thus, Lawakh serves as a literary elegy for a cultural heritage threatened by history’s violent turns.

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References

- Ibsen, D. S. (2011). Panjāb kī zāten (Y. Jawād, Trans.). Lāhaur: Fiction House, p. 17.

- Salīmī, A. R. (2017). Jandar (Flip). Rāwalpindī: Ramīl House of Publications.

- Mars, J. H. (1940). The Buddhist art of Gandhāra: The story of early school; its birth, growth, decline. Cambridge: Cambridge University Press.

- Ḥasan, S. (1977). Pākistān meṅ tahẕīb kā irtiqāʾ. Karāchī: Maktabah Dāniyāl, p. 14.

- Salīmī, A. R. (2023). Luwākh. Rāwalpindī: Ramīl House Publications, p. 47.

- Ibid., p. 132.

- Ibid., p. 92.

- Ibid., p. 37.

- Ibid., p. 32.

- Ibid., p. 70.

- Ibid., p. 71.

- Ibid., p. 78.

- Ibid., p. 37.

- Ibid., p. 82.

- Ibid., p. 119.

- Ibid., p. 155.

- Ibid., p. 37.

- Ibid., p. 57.

- Ibid., p. 42.

- Ibid., p. 149.

- Ibid., p. 150.

- Ibid., p. 169.

- Ibid., p. 169.

- Ibid., p. 46.

- Ibid., p. 64.

- Ibid., p. 64.

- Ibid., p. 65.

- Ibid., p. 26.

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Published

12-08-2025

How to Cite

A Cultural Study of Akhtar Raza Saleemi’s Novel Lawakh: اختر رضا سلیمی کے ناول’’لواخ ‘‘کا تہذیبی مطالعہ. (2025). Tahreer - Journal of Languages and Literature, 3(3), 1-16. https://ssld.org/Journals/index.php/tahreer/article/view/60